Homelessness, hunger and shame: poverty is rampant in the richest country in the world. Over 40 million people in the United States live below the poverty line, twice as many as it was fifty years ago. It can happen very quickly. 　　Many people in the United States fall through the social safety net. In the structurally weak mining region of the Appalachians, it has become almost normal for people to go shopping with food stamps. And those who lose their home often have no choice but to live in a car. There are so many homeless people in Los Angeles that relief organizations have started to build small wooden huts to provide them with a roof over their heads. The number of homeless children has also risen dramatically, reaching 1.5 million, three times more than during the Great Depression the 1930s. A documentary about the fate of the poor in the United States today. 　　这是一部关于穷人生存环境的纪录片。在美国这个世界上最富有的国家，有超过4千万人低于贫困线，比50年前多了两倍。一夜落魄是常有的。穷人只能依靠食品券度日。无家可归的人除了住在车里没有别的选择。在洛杉矶有太多的无家可归者，一些公益组织开始帮助他们造街边小木屋。无家可归儿童的数量也大幅上升，接近150万，这个数字是1930年代大萧条时期的3倍。这是一部关于穷人在今日美国的命运。

Homelessness, hunger and shame: poverty is rampant in the richest country in the world. Over 40 million people in the United States live below the poverty line, twice as many as it was fifty years ago. It can happen very quickly. 　　Many people in the United States fall through the social safety net. In the structurally weak mining region of the Appalachians, it has become almost normal for people to go shopping with food stamps. And those who lose their home often have no choice but to live in a car. There are so many homeless people in Los Angeles that relief organizations have started to build small wooden huts to provide them with a roof over their heads. The number of homeless children has also risen dramatically, reaching 1.5 million, three times more than during the Great Depression the 1930s. A documentary about the fate of the poor in the United States today. 　　这是一部关于穷人生存环境的纪录片。在美国这个世界上最富有的国家，有超过4千万人低于贫困线，比50年前多了两倍。一夜落魄是常有的。穷人只能依靠食品券度日。无家可归的人除了住在车里没有别的选择。在洛杉矶有太多的无家可归者，一些公益组织开始帮助他们造街边小木屋。无家可归儿童的数量也大幅上升，接近150万，这个数字是1930年代大萧条时期的3倍。这是一部关于穷人在今日美国的命运。

Provocative two-part documentary in which Dan Snow blows the lid on the traditional Anglo-centric view of history and reveals how the Irish saved Britain from cultural oblivion during the Dark Ages. 　　He follows in the footsteps of Ireland's earliest missionaries as they venture through treacherous barbarian territory to bring literacy and technology to the future nations of Scotland and England.

Provocative two-part documentary in which Dan Snow blows the lid on the traditional Anglo-centric view of history and reveals how the Irish saved Britain from cultural oblivion during the Dark Ages. 　　He follows in the footsteps of Ireland's earliest missionaries as they venture through treacherous barbarian territory to bring literacy and technology to the future nations of Scotland and England.

这部选集电影有20个故事，主题是文字、交流，在400米的范围内相互联系：从马德里的拉瓦皮斯广场到萨拉米拉多。这是一部从剧院到电影院的旅程，在马德里人气很高的拉瓦皮耶斯区，用一个连续80分钟半公里的固定镜头拍摄。剧中人物交谈、争论、大笑、哭泣、威胁、窃窃私语、喊叫、偷窃、约会、生气和拥抱，促使观众反思语言的巨大力量。

《女人如歌》——湖南卫视2012秋季倾全台之力，巨资打造，中国第一档已婚女性歌唱竞技类季播大型活动！《女人如歌》率先主打已婚女性概念，极度聚焦，将参赛选手锁定在有过婚姻经历的女性上。不以选秀为目的，只以歌唱为武器，在《女人如歌》的宏大舞台上，每一个夜晚，都将看到中国最精彩纷呈的女性角色。

《女人如歌》——湖南卫视2012秋季倾全台之力，巨资打造，中国第一档已婚女性歌唱竞技类季播大型活动！《女人如歌》率先主打已婚女性概念，极度聚焦，将参赛选手锁定在有过婚姻经历的女性上。不以选秀为目的，只以歌唱为武器，在《女人如歌》的宏大舞台上，每一个夜晚，都将看到中国最精彩纷呈的女性角色。

Adapted from prolific western novelist Dusty Richard’s “Mustanger and the Lady,” 'Painted Woman' is the story of Julie Richards Julie is a woman of her time, passed from hand to hand in a web of abuse and prostitution, landing her at the feet of Kyle Allison. Allison, a wealthy powerbroker of the old west town of Goldfield, took young Julie into his home and made her his trophy. This life came with the gift of being taken care of and the cost of more abuse. As Julie’s time with Allison is coming to a dangerous close, Julie is given two chances of escape, with two very different men… The story of PAINTED WOMAN is two distinct chapters in Julie's life, with each chapter mirroring the other. Chapter one follows Julie meeting Frank. It is told mostly at night in the town of Goldfield. Chapter two follows the Mustanger. It takes place in the wilderness and is told mostly during the day.

The film follows a man-woman relationship, the woman incidentally being an "international" bar singer by profession and the man, a film maker, who is also the director of the film. 　　If a human being is the best plot, then Ranu is one thick plot. Over the past 6 years of filming, she has moved from one relationship to another, from one home to another and even one country to another. After an extremely modest upbringing in a refugee family, an abduction, a child, suicide attempts and many failed relationships later, Ranu is a total contrast to Shyamal who is well educated, well to do and of course, well respected. 　　Where Ranu's predicament as a poor exploited beer bar singer "inspires" a film maker to make a film, the filming of 6 odd years makes it quite clear that she knows her way around in the "male world". In a life, full of men and stories, the director is being just one among the many. But the relationship grows with the film as the two accept each other despite moral archetypes and the film ultimately, turns out to be a sign of their trust and respect for each other as human beings. 　　I’m the very beautiful is a compassionate view of the struggles and dreams of a woman perceived as an outcast. It is also a film in which the film-maker dares to bare his own dilemmas.

本片讲述的是一对情感走到尽头的恋人，在印度经历分手旅行。男人理性，对恋情去意已决，而在女人心里，旅行却是她挽回男人的最后机会。最终两人各自走向…